“A compelling read, a thoughtful examination of a brief and dynamic period of change in American newspapers.”—Frederick Blevens, coauthor of Twilight of Press Freedom: The Rise of People’s Journalism

 “Michele Weldon argues that newspapers since 2001 have become ‘story papers.’ She tracks the significant changes in front pages, showing how personal stories—stories about everyday people—now dominate Page One. Her book is intimate, it’s readable and it’s convincing. And it may give you hope for the future of newspaper journalism.”
—Peggy Kuhr, Dean, School of Journalism, University of Montana

“Weldon starts with a seemingly narrow, though important, issue about the front page, but she quickly ranges broadly and deeply into the democratization of news and journalism. “Everyman” thoughtfully explores reader-contributed content, changing tone and content of mainstream journalism, narrative writing and even “narrative therapy” and ends up at the frontier of communication between citizen and community.”
—Frank M. Denton, Vice President for Journalism, Morris Communications

            Scanning the crowded media landscape, Michele Weldon—a journalist passionate about her profession—takes a fresh look at how newspapers have carved out a narrative niche that reflects society’s fascination with personal stories and readers’ demands for diversity in content. Comparing some 850 stories, story approaches, and unofficial sourcing in twenty American newspapers for eight dates in 2001 and 2004—a total of 160 front pages—she shows a shift toward features over hard news, along with an increase in anecdotal or humanistic approaches to all stories.

            Everyman News offers a provocative look at why American newspapers have become story papers, with their content and style saying as much about our culture as they do about the journalists and the readers. Weldon shows that a variety of forces both inside and outside journalism—blogs, citizen journalism, newsroom diversity, and other factors—have converged to remake the front page, and she unveils the content of “everyman news” as a commodity apart from the mode of delivery. Her assessment also incorporates more than fifty interviews with people connected to journalism about what these changes mean—revealing that not everyone in the industry believes they are for the better.

            Is everyman news perhaps right for its time, or is it merely a symptom of what Weldon calls “Chicken Little journalism”? Weighing in on such matters as the New York Times’s “Portraits of Grief” series and the dangers of the blogosphere, she invites readers to make their own calls in this original and important contribution to the study of media. Everyman News is a book that will contribute to our understanding of newspapers in the new century—must reading for professionals and an eye-opener for anyone trying to comprehend the significant shifts in today’s front pages.