"This magnificently written account of a time now
gone is far more than just a slice of Missouri's rural
history. . . . In its best sections (and there are many), it
catches the tone and mood of a place in a manner worthy of a
modern-day Thoreau."—Bruce Clayton
"Deep River is an extraordinary piece of writing--
memoir, storytelling, historical narrative, and art. Hamilton
skillfully weaves his family's stories into a complex tapestry
of experiences including those of native peoples, slaves and
slave owners, farmers and river people. The stories are loving
and insightful."—Susan Curtis
Deep River uncovers the layers of history—both
personal and regional—that have accumulated on a river-bottom
farm in west-central Missouri. This land was part of a late
frontier, passed over, then developed through the middle of
the last century as the author's father and uncle cleared a
portion of it and established their farm.
Hamilton traces the generations of Native Americans,
frontiersmen, settlers, and farmers who lived on and alongside
the bottomland over the past two centuries. It was a region
fought over by Union militia and Confederate bushwhackers, as
well as by their respective armies; an area that invited
speculation and the establishment of several small towns, both
before and after the Civil War; land on which the Missouri
Indians made their long last stand, less as a military force
than as a settlement and civilization; land that attracted
French explorers, the first Europeans to encounter the
Missouris and their relatives, the Ioways, Otoes, and Osage,
a century before Lewis and Clark. It is land with a long
history of occupation and use, extending millennia before the
Missouris. Most recently it was briefly and intensively
receptive to farming before being restored in large part as
state-managed wetlands.
Deep River is composed of four sections, each exploring
aspects of the farm and its neighborhood. While the family
story remains central to each, slavery and the Civil War in
the nineteenth century and Native American history in the
centuries before that become major themes as well. The
resulting portrait is both personal memoir and informal
history, brought up from layers of time, the compound of which
forms an emblematic American story.
About the Author
David Hamilton is Professor of English at the University of
Iowa in Iowa City. He is the editor of the Iowa Review
and Hard Choices: An Iowa Review Reader.